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So while my readers are busy coming up with ideas for Martha, I'll get going on a couple more abstract concepts I want to talk about before I finish this series. Reader Herbee set me up beautifully for this post, by asking the following question:
My question for you today, Audi, is about your tulle skirt underneath the dress. I LOVE this look every time you wear it, but is the whole skirt tulle? Is it a petticoat with the tulle attached to just the bottom? And, more importantly, can a hippy girl like me carry off a tulle under layer? I picture the fullness making me look like one of those crocheted Barbie dresses Grandmothers make!
There are two main questions here. I'll start with the first one: I have several tulle skirts, and all are tulle the whole way down. One is very thick, unlined, and made entirely of tulle in overlapping layers, one is just a single unlined layer finished with a satin ribbon around the bottom, and three are like this one, with a single layer of tulle over a matching lining. This skirt has extra panels sewn in around the hem to give it the full look without making the top part too poofy. Only the kind I have on today can be worn alone as a skirt.
On to the second question, which I think actually encompasses two very different
Now before I leave the topic of balance, I just want to touch on it in terms of color and pattern. How you use one color or pattern in proportion to another impacts the overall effect of the look, as well as which element becomes the focal point. There are two disciplines that have informed my understanding of balancing color and pattern, and oddly enough, neither one is fashion design. The first one is landscape architecture. A good landscape architect knows not only which types of plants and flowers look good together, but also the proportions in which to use them. Another place to find inspiration, not only for color but for pattern mixing, is in interior design. I think I mentioned before that I completed a significant portion of an interior design degree before deciding I was sticking with biotech. In the process of doing that I learned a lot about color and pattern that I later started applying to my wardrobe.
I'm sure many of you read home and garden magazines, so the next time you're flipping through the pages, linger awhile and look more closely at the gardens or interiors that really catch your eye. What are the primary, secondary, and accent colors? How has texture been introduced? If it's an interior, how many different patterns are in the room, and how are they placed in relation to one another? Does it include objects that reflect light? The nice thing about looking for wardrobe inspiration in non-fashion sources is that it decouples the basic concepts of color, pattern, texture, and balance from the body image issues that creep in when we flip through fashion mags. Often it's difficult to get past the thought of, "I could never wear that." By looking for fashion inspiration in the pages of Modern Architect or Better Homes and Gardens, you can find new color combinations or pattern mixes without the hollow-eyed, underfed models staring back at you. It also doesn't demand that you buy anything, only that you create a new idea.
As much as I'm loathe to relate any sort of "rules," I will pass along the one that I learned in one of my design courses about how to proportion three colors in an interior. Please do not think I'm saying you should follow this all the time, I'm just putting it out there as a guideline. OK, enough disclaimers -- here is your 'in case of emergency, break glass' rule that you can use when you're really stuck on how much of each color to use:
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According to interior design principles, the main color should occupy approximately two thirds of the total area. Of the remaining third, two thirds of that should be your secondary color. The rest is your accent. Ta-da!
I'm going to move on to the other concept Herbee touched on, because I think it relates nicely to Martha's original question. It's the concept of
Try not to worry so much about defining yourself by any one particular style. Why not allow yourself to be Boho Chic one day, and Sexy Secretary the next? We are all multi-faceted individuals, and unless you're wearing a uniform to work, you wake up every morning with a body that's a blank canvas on which to paint whatever you like. Sure it's fine to have some signature looks; I mean, I'm Mod Hat Girl, right? But dismissing items of clothing as 'not my style' is a fairly limited way of exploring fashion. Next time you're considering a piece, rather than asking whether it's your style, ask whether it will flatter your figure and whether you like it. If the answer is yes to both of those, why not give it a try? Maybe it's stylistically different from the rest of your wardrobe right now, but it also might be a direction you ought to be exploring.
Top: La Redoute
Jacket: Zadig & Voltaire
Skirt: Ralph Lauren
Tulle skirt: Noa Noa
Boots: Modern Vintage
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